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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond in Leeds during 1977

Dave Ball, one half of the groundbreaking 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the duo achieved a global success with their cover of Gloria Jones' Tainted Love in 1984, and their first record their initial full-length release is regarded as a seminal work of electronic music.

He subsequently founded the pioneering electronic act The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball passed away calmly in his sleep at his home in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball appeared in a wheelchair, as he had for the last two years, after a spate of ill-health.

"I ended up damage myself quite a bit," he stated in 2023. "I fractured lower vertebrae in my back and fractured about five ribs and broke my arm."

Following contracting a lung infection and developing blood poisoning, he was put in an induced coma and remained in the hospital for half a year.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he worked on a new album with Almond, called the upcoming Danceteria, which is set for publication next year.

"He was focused and so happy with the latest project that we literally finished only a few days ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I take some solace from the fact that he listened to the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my life and for the music you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a group, the bond is incredibly close," he continued.
"That's how it was with us. We went through so many extraordinary, extraordinary, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in Chester in 1959, Ball was given up for adoption when he was a year and a half of age.

He was raised in the seaside town with adoptive parents his caregivers, who changed his given name from his birth name to David, together with his younger sister his sister, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both studying fine arts. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the quiet musician, bent over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they achieved a unique creative synergy.

Ball had developed a interest with synthesizers after viewing the band Kraftwerk appear on a television science show a popular series, and started to marry dark electronica to the soaring melodies Almond was composing.

Tainted Love became the United Kingdom's second biggest-selling song of 1981, shifting 21 million copies globally. Together with hits by other artists, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 80s.

The track was also featured on their full-length debut, their initial LP, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's death

Career Highlights

Success had its benefits. "I loved being able to afford my initial property, having financial security and exploring, which makes me sound like a beauty queen," Ball recently told with a music magazine.

But it also caused challenges. "Sudden riches allowed we could purchase substances to alleviate the boredom" of media interviews and TV performances, Ball said.

"I realize that's a cliché, but it's a cliché for a good reason, because it applies for so many bands."

During the party-filled existence, the duo were also drifting apart, but they managed to produce a follow-up classic album - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released one more LP, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the Top 40 album Cruelty Without Beauty.

Following another break, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on 30 September, that year.

Yet, they remained together, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the band's new album as a homage to the New York club scene they frequented while making their initial records.

He noted that his time in medical care had shaped the band's sound.

"I experienced unusual memories when I was in and out of hospital because I was on morphine," he told a publication.
"Our latest tracks are a electronic representation of the noises in my head from that time.
"In parallel, it's about the experiences we got up to in the 1980s."

The last versions were completed only days before Ball died. It is scheduled for launch in Spring 2026.

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